Put up the two you keep going back and forth on. StyleCast puts each one on you — same pose, same light — so the only thing that changes is the clothes.
Inside the StyleCast app
She is not a separate app. Open StyleCast, send her a photo, say what you want to see — she reads it, prices it, makes the picture, finds where the same style is listed for less, and asks with pictures whenever there is a choice. You press one button.
Every picture in this film is the app's own. Amara is one of our house cast, not a customer. The feed at the end is a mock-up.
CAMEL+
CREAM+
VELVET+
RED+
BOMBER+
CAMELCREAM
↔
Tap any two to put them head to head. Nothing here costs anything — these pictures are already made.
AB
Put them up — the two you are torn between, or the whole shortlist. A photo of each is enough: a shop listing, a screenshot, something on a hanger. These five are the ones you will see worn in a moment.
One photo of your face, once. Your proportions are saved with your account, so every frame after this one starts from the same body.
Tell it what you are deciding. It asks one question at a time, then hands you a plan with the price already on it. It never spends anything — you press the button.
One body, one pose, one light, every option you gave it. Same height in every frame, so your eye is comparing hems and shoulders instead of correcting for the photograph.
10 credits eachPick a pair and drag the handle. Change your mind, pick a different pair, mix any two — the frames are already yours, so swapping the matchup costs nothing.
already paid forTick whichever you want and lay them out as one sheet. Nothing is thrown away — the ones you did not pick stay in the job.
collage is freeFront, side, back, on whichever frame you chose. The thing a product page never shows you.
15 creditsEight seconds, no cuts. She walks toward you and the outfit changes as she goes — camel to cream to velvet to red, up to four looks in one take — and nothing else in the frame moves but her.
45 credits · 8 sEight seconds, one take. The sea goes past, she keeps her eyes on the road, and the outfit changes four times on the way — the car, the light and the road never change, only the clothes.
75 credits · 8 sGive it a place and the clothes you still have. It asks about the light, who else was there, what was on the table — then shows you cheap proofs before it makes the real one.
9 then 10Not only at the end. Every frame in the job has a download and a share on it from the moment it finishes — including the ones you decided against.
Every frame here was made the same way you would make yours: a face, a garment, and a room described in words.
the same body, six worlds, only the clothes changed
the comparison itself — flat, neutral, nothing to argue with the garment
walking the dog, riding, dancing, cooking — the version people actually post
walking into the view, sharing a plate, a long table of friends
the fitting-room verdict, the long brunch, the court, the stall
your build, your skin tone, where the hem lands and your bump — kept, and said so in plain words
one place, one light, everyone facing the camera the same way — a preview of the party, never a promise about fabric colour
any picture you have, or a photo you upload, at twice or four times the size — checked to have kept your face and your clothes, or not handed over
the cleanest studio anyone ever built — glass wall, pale floor, nothing behind you
eighties and nineties open-tops on cliff roads and mountain passes
Santorini, Cappadocia, Venice, Kyoto, Marrakech, the Maldives
three weddings, each as together, the bride, and the groom
Kodachrome, Polaroid, VHS, direct flash, Ektachrome, dirty realism
one of you or all six, from an infinity pool to a hammock under the Milky Way
the pitch, the lab, the late library, the corner table you always sat at
The place you remember, the clothes you still have, and the people who were there. Answer a few questions and it builds the picture you never took.
A street you know, a room you loved, a coast you keep going back to. One line is enough to start.
Your photos, the clothes, the jacket you wore that week, the bag, the watch.
Morning or evening. Who else is in it. What is on the table. Nothing you have to answer at once.
Three small versions for a few credits, so you can point at the one that is right before spending on the real thing.
Full size, and the moment can move if you want it to.
Three proofs cost 9 credits. The finished frame is 10. Moving it is 30 more for five seconds.
Everything is priced in credits so a month of light use costs less than a month of heavy use. Canadian dollars.
| Operation | Credits |
|---|---|
| One option, made (a comparison is charged per option) | 10 |
| Three quick proofs to pick a direction | 9 |
| Poster shoot | 10 |
| A set of views from one photo of you | 4 |
| A set of views of one garment | 3 |
| Reshoot a frame | 2 |
| A 3D view to turn around | 15 |
| One take, the outfit changes · up to 4 looks · 8 s | 75 |
| One take, the outfit changes · standing or walking · 8 s | 45 |
| A caption for a frame | 2 |
| Clean up a photo of a piece so it can be worn | 1 |
| A bigger, sharper copy of a picture · twice the size | 6 |
| A bigger, sharper copy of a picture · four times the size | 8 |
| Animate a frame, 5 seconds | 30 |
| Animate a frame, 10 seconds | 55 |
| Animate a frame, 15 seconds | 75 |
| Any collage layout | free |
Credits never expire while a plan is active. Top-ups are available inside your account at a lower rate the more you take.
Your library, your credits and anything half-finished are waiting on the other side.
New here? Make an account — it takes a minute, and the first thing you see is your own library.
The ones that got posted
People do not post the comparison. They post the one that won — and then everyone asks which one it was.